Acronis True Image Freeware 2009
big departure Johannes Nilo
> My work takes time. They allow the viewer to experience the emergence of a phenomenon. They are the expression a visual restraint, with which I would like to slow down to a perception experienced present '. This is how Tom Chamberlain's work, before the past two weeks on the Art Basel aroused my interest. My steps slow issued between the 5000 works. The aimless walk through this highly artificial world is itself part of the experience of art. People seem to float. 
A watercolor by Paul Klee has my attention after I discovered how wise the picture is staged in the overall constellation of the gallery. On the opposite wall is decorated with glossy blue and black areas from the series Lighter by Wolfgang Tillmans. It is> Photos \u0026lt; have been without a camera suspended directly in the laboratory to the light. In between, a work is placed where notice above all the materials, sand, rubber, rust, water and wind worked woods. Then I suddenly see that the wall where the clover is not like the other walls are painted white, but light brown.
I am in a world of surfaces where unexpected and new relationships emerge. Man goes to a space beyond the logical functionality and importance of things and the meaning between the works and the viewer can circulate freely. The feeling that arises here is, at best be described as easy.
An early drawing of Andy Warhol from the 50's is an example slightly. No artificial depth, no claims that go beyond what is actually present. A simple arrangement of free flying butterflies in child-run. This drawing is just what it is, nothing else.
Chamberlain continues: "My works do not indicate on what is one of their surfaces and what not. I am concerned with the visual experience of something that is imminent - or even disappeared. 'Is the handout of his Berlin Galerie Aurel Scheibler read: "Tom Chamberlain's works define a development process and eventually solidify into a possibility or a Illumination '. A striking formulation. Would not a way to solidify and even real? What is the possibility, if they are treated just like other reality when it is celebrated in its own right and not merely as a negation of reality? Is it time to push itself to which we here?
A watercolor by Paul Klee has my attention after I discovered how wise the picture is staged in the overall constellation of the gallery. On the opposite wall is decorated with glossy blue and black areas from the series Lighter by Wolfgang Tillmans. It is> Photos \u0026lt; have been without a camera suspended directly in the laboratory to the light. In between, a work is placed where notice above all the materials, sand, rubber, rust, water and wind worked woods. Then I suddenly see that the wall where the clover is not like the other walls are painted white, but light brown. 
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