Lisbeth
So - if art by herald arrives and there is nothing left in our consciousness horizon is, of which we bear witness might otherwise have as it experienced an old icon painter or a Rembrandt to his pictures to write - does not then any proclamation culture finally also from our contemporary art?
Does the longing for the eternal, of which we do not actually, well, however, the belief by far - has this desire will not prevent necessary kinds of images, the real experience was reserved for eternity and have given a higher reality?
meet the content and form, a rejection of the ever successful artists like Katja Strunz and Anselm Reyle, both of Berlin, by arriving in the very specific, which is open to nothing more than for himself Closed forms in which no longer flows than that which formed the shape added. Katja Strunz
acute angled wall constructed from pieces of wood laminiertfurniertem imitation. It could be something shifted, warped paper plane shapes, they hung not so aggressive and hard, and immovable on the wall. Anselm Reyle is carelessly crumpled foil gift behind Plexiglas important, it's looks like something, or chrome in complex process waste collages. The end product is so great that it takes eight people to be prepared.
No escape in a different way. No escape in a behind, in a larger company, behind only referenced by the trash. No, just on what is visible before us, that matters. More s does not exist. No way out. The one as a viewer sometimes wants, because - well really is something else.
No more than the little that is there. A few things that may not know more to keep yourself without power over the abyss. Breakdown in existential grip.
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